Photo Writings

1. Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction”, in “Illuminations” ed., Hannah Arendt

2. Walter Benjamin, “The Author as Producer”, in “Reflections” ed., Hannah Arendt

3. Roland Barthes, “The Rhetoric of the Image”, in “Image Music Text”

4. Roland Barthes, “The Photographic Message”, in “Image Music Text”

5. Roland Barthes, “The Death of the Author” in “Image Music Text”

6. Roland Barthes, “Camera Lucida

7. Baudrillard, “Simulacra and Simulation

7. Susan Sontag, “On Photography

8. Susan Sontag “Regarding the Pain of Others

9. Vilem Flusser, “Towards a Philosophy of Photography

10. Michael Fried, “Art and Objecthood

11. Michel Foucault, “Of Other Spaces: Heterotopias

12. Martha Rosler, “In, Around, and Afterthoughts (On Documentary Photography)” in “The Contest of Meaning”, ed., Richard Bolton

13. Deborah Bright, “Of Mother Nature and Marlboro Men: An Inquiry Into the Culture Meanings of Landscape Photography”, in “The Contest of Meaning”, ed., Richard Bolton

14. Allan Sekula, “The Body and the Archive” in “The Contest of Meaning”, ed., Richard Bolton (also in October, Winter 1986)

15. Allan Sekula, “Reading an Archive” from “Blasted Allegories”, ed., Brian Wallis

16. Christopher Phillips, “ The Judgment Seat of Photography” in “The Contest of Meaning”, ed., Richard Bolton

17. Walter Benjamin, “Little History of Photography”, in “Classic Essays on Photography”, ed., Alan Trachtenberg

18. Andre Bazin, “The Ontology of the Photographic Image”, in “Classic Essays on Photography”, ed., Alan Trachtenberg

19. Siegfried Kracauer, “Photography” in “Classic Essays on Photography”, ed., Alan Trachtenberg

20. Hubert Damisch, “Five Notes for a Phenomenology of the Photographic Image” in “Classic Essays on Photography”, ed., Alan Trachtenberg

21. Craig Owens, “Photography En Abyme”, in “Beyond Recognition

22. Craig Owens, “The Discourse of Others: Feminism and Postmodernism”, in “Beyond Recognition”

23. Douglas Crimp, “Pictures” October, Volume 8, 1979, also in “Art after Modernism: Rethinking Representation”, ed., Brian Wallis

24. John Szarkowski, “Mirrors and Windows

25. Rosalind Krauss, “Notes on the Index: Part 1 and Part 2” in “The Originality of the Avant – Garde and other Modernist Myths

26. Laura Mulvey, “Visual Pleasure and Narrative Cinema” in “Visual and Other Pleasures”

 

posted by james pomerantz